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AUSTIN ORGANS OPUS 2761 -- SPECIFICATIONS
GRAND ORGUE - at chancel left -
4 1/2" wind
| * |
16' |
VIOLON (15-24 new in transept case) |
61 |
|
8' |
MONTRE (1-24 in Left chancel case) |
61 |
| * |
8' |
VIOLON (extension of 16' Violon) |
12 |
|
8' |
FLÛTE HARMONIQUE (1-12 in far right Chancel case) |
61 |
|
8' |
BOURDON |
61 |
| * |
8' |
COR DE CHAMOIS |
61 |
|
4' |
PRESTANT |
61 |
|
4' |
FLÛTE OUVERTE |
61 |
| * |
2 2/3' |
QUINTE |
61 |
| * |
2' |
DOUBLETTE |
61 |
|
1 3/5' |
TIERCE (begins at tenor C) |
49 |
|
1 1/3' |
FOURNITURE IV(19-22-26-29) |
244 |
|
8' |
BOMBARDE (extension of Pédale - 7" wind) |
29 |
|
8' |
TROMPETTE EN CHAMADE (Antiphonale - 3 1/2" wind) |
74 |
|
|
CLOCHES (electronic) |
|
|
|
MIDI 1 |
|
|
|
MIDI 2 |
|
|
|
MIDI 3 |
|
POSITIF (Expressive) - at chancel
right 3 1/2" wind
| * |
8' |
PRINCIPAL |
61 |
|
8' |
FLÛTE BOUCHÉE |
61 |
| * |
8' |
FLÛTE DOUCE |
61 |
| * |
8' |
FLÛTE CÉLESTE (begins at tenor C) |
49 |
|
4' |
OCTAVE |
61 |
| * |
4' |
FLÛTE À FUSEAU |
61 |
| * |
2 2/3' |
NASARD |
61 |
|
2' |
DOUBLETTE |
61 |
| * |
2' |
QUARTE DE NASARD |
61 |
| * |
1 3/5' |
TIERCE |
61 |
|
1' |
SIFFLET (extension of 2' Quarte de Nasard - prepared) |
|
|
2/3' |
CYMBALE IV(26-29-33-36) |
244 |
| * |
8' |
CROMORNE |
61 |
|
|
TREMBLANT |
|
|
8' |
TROMPETTE HARMONIQUE (15" wind) |
61 |
|
8' |
TROMPETTE EN CHAMADE (Antiphonale) |
|
|
|
CLOCHETTE (8 bells) |
|
|
|
MIDI 1 |
|
|
|
MIDI 2 |
|
|
|
MIDI 3 |
|
RÉCIT (Expressive)--at chancel
right--5" wind
| * |
16' |
BOURDON DOUX (extension of 8' Flûte à Cheminée) |
12 |
| * |
8' |
PRINCIPAL |
61 |
| |
8' |
FLÛTE À CHEMINÉE |
61 |
| |
8' |
VIOLE DE GAMBE |
61 |
| * |
8' |
VOIX CÉLESTE (begins at tenor C) |
49 |
| * |
4' |
OCTAVE |
61 |
| * |
4' |
FLÛTE OCTAVIANTE |
61 |
| |
2' |
OCTAVIN |
61 |
| * |
2' |
PICCOLO HARMONIQUE |
61 |
| |
1 1/3' |
LARIGOT |
61 |
| |
2' |
PLEIN JEU IV (15-19-22-26) (Draws 2' Octavin) |
183 |
| * |
16' |
BASSON (1-12 new) |
61 |
| * |
8' |
TROMPETTE |
61 |
| * |
8' |
HAUTBOIS (extension of 16' Basson) |
12 |
| * |
4' |
CLAIRON |
61 |
| * |
8' |
VOIX HUMAINE (In separate enclosure - 4" wind) |
61 |
| |
|
VOIX TREMBLANT |
|
| |
|
TREMBLANT |
|
|
8' |
TROMPETTE EN CHAMADE (Antiphonale) |
|
|
|
MIDI 1 |
|
|
|
MIDI 2 |
|
|
|
MIDI 3 |
|
ANTIPHONALE - on rear wall of nave
- 2 1/2" wind
|
8' |
MONTRE |
61 |
| * |
8' |
BOURDON EN BOIS |
61 |
|
4' |
PRESTANT |
61 |
|
2' |
FLÛTE À BEC |
61 |
|
2' |
FOURNITURE IV (l 5-19-22-26) |
244 |
PÉDALE - primarily at chancel
left - 4 l/2" wind
|
32' |
FLÛTE OUVERTE (electronic - 32 notes) |
|
|
32' |
CONTRE BOURDON (electronic - 32 notes) |
|
| * |
16' |
CONTRE BASSE (Open Wood) |
32 |
|
16' |
SOUBASSE |
32 |
| * |
16' |
VIOLON (Grand Orgue) |
|
| * |
16' |
BOURDON (extension of Antiphonale 8' Bourdon en Bois) |
12 |
| * |
16' |
BOURDON DOUX (Récit) |
|
| * |
10 2/3' |
QUINTE (from Récit 16' Bourdon Doux) |
|
|
8' |
OCTAVEBASSE (1-17 in nearest right chancel case) |
32 |
|
8' |
FLÛTE COUVERTE (extension of 16' Soubasse) |
12 |
|
8' |
FLÛTE À CHEMINÉE (Récit) |
|
| * |
8' |
COR DE CHAMOIS (Grand Orgue) |
|
| * |
4' |
BASSE DE CHORALE |
32 |
|
4' |
COR DE NUIT |
32 |
|
2' |
FOURNITURE III (22-26-29) |
96 |
|
32' |
CONTRE BOMBARDE (electronic - 32 notes) |
|
|
16' |
BOMBARDE (7" wind) |
32 |
| * |
16' |
BASSON (Récit) |
|
|
8' |
BOMBARDE (extension of 16' Bombarde) |
12 |
|
8' |
TROMPETTE EN CHAMADE (Antiphonale) |
|
| * |
8' |
TROMPETTE (Récit) |
|
| * |
4' |
CROMORNE (Positif) |
|
|
|
MIDI 1 |
|
|
|
MIDI 2 |
|
|
|
MIDI 3 |
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* Stops marked with an asterisk include revoiced pipes from the former
instrument, Austin Opus 2123.
All pipes are of metal except for the following ranks which contain
wood pipes:
Récit 16' Bourdon Doux, Positif 8' Flûte Bouchée,
Antiphonale 8' Bourdon en Bois,
and Pédale 16' Contre Basse, 16' Soubasse, 16' Bourdon.
 |
From Design Blueprints
by Frederick L. Mitchell
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CONSOLE SPECIFICATIONS
COUPLERS
Récit à Pédale 8, 4
Positif à Pédale 8, 4
Grand Orgue à Pédale 8, 4
Positif Unisson
Positif Muet (except Trompette Harmonique and Trompette en Chamade)
Positif à Positif 16, 4
Récit à Positif 16, 8, 4
Grand Orgue à Positif
Pédale à Positif
Antiphonal sur Positif
Récit Unisson
Récit à Récit 16, 4
Positif à Récit 16, 8, 4
Antiphonale sur Récit
Grand Orgue Unisson
Grand Orgue à Grand Orgue 16, 4
Récit à Grand Orgue 16, 8, 4
Positif à Grand Orgue 16, 8, 4
Antiphonal sur Grand Orgue
Grand Orgue - Positif Exchange
ACCESSORIES
Artisan Solid State Combination Action with 25 memory levels
Balanced expression pedals - Récit and Positif
Programmable Crescendo Pedal
16 generals (thumb and toe)
8 Adjustable combinations for each of the following: Grand Orgue (thumb)
Récit (thumb), Positif (thumb), Pédale (toe)
4 Adjustable combinations for Antiphonale (thumb) and couplers (thumb)
Reversibles for unison couplers, Clochette, 32' stops,
Melody and Bass couplers and Pedal Divide
2 Tuttis
Melody coupler
Bass coupler
Pedal Divide
Transposer
Registration Sequencer (Next and Previous on thumb and toe pistons)
Memory Lock
Adjustable Bench
Console is on a moveable dolly and can be centered in the chancel for
recitals.
CREDITS
Tonal Design: David A.J. Broome and Ralph B. Valentine
Layout: Frederick L. Mitchell
Installation: Jon van Houten
Tonal Finishing: Daniel Kingman, assisted by David Johnston
and Christopher Broome
Case Design: Charles Nazarian
Case Construction: Matthew Burke of Kingsland Co., Norfolk,
CT
Acoustical Consultant: Larry King
Organ Consultant: Ralph B. Valentine |
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